Something interesting to make.

All Whitewaterrafting workshops are led by professional working artists with a Bachelor of Fine Arts college degree or higher.

Pretty much everything. We bring the materials, tools, table protection, workshop setup, examples for demonstrating techniques, artist facilitation, and take care of cleanup afterward.

Most classes are designed for up to 15 residents with one teaching artist.

Larger groups can be accommodated with additional instructors so everyone has enough space, materials, and individual support.

Classes take place in your community in Los Angeles — in an activity room, art room, dining space, or another accessible area with tables. We ask for a comfortable seated workspace with enough room for residents and materials.

We typically just need tables, chairs, and access to the space before and after the workshop. We’ll confirm the exact setup with you ahead of time.

All classes run 90 minutes. Setup and cleanup happen separately, so the full class time is spent making.

Clay and papier-mâché projects are completed across two sessions so the work has time to dry before painting.

Because the goal isn’t to reproduce an example. We teach residents how to work with the materials, then give everyone the same clear prompt and starting conditions. The structure is shared; the finished work is individual.

No art experience is required. We introduce techniques step by step and design prompts to be immediately understandable, with room for residents to work at their own pace and make their own choices.

Yes. Our projects are designed to be completed seated at a table, and we can adjust tools, materials, pacing, and the level of hands-on support as needed.

Working at an enlarged scale is part of the artistic concept, but it also makes many projects easier to see, hold, cut, shape, and assemble. We can also provide pre-cut shapes, easier-grip tools, and other simple adaptations so residents can participate comfortably.

Residents keep their work. Throughout the course, finished pieces are titled and saved for a final exhibition in the community. Standalone trial classes can also conclude with a small display of the finished work.

We recommend booking 3–4 weeks in advance for a single class and 4–6 weeks ahead for a multi-week course. Earlier booking gives us the best chance of reserving your preferred day, time, and teaching artist. Shorter-notice bookings may be possible depending on availability.

A 50% deposit secures the starting date of the course/one-time trial class date, with the remaining balance due 7 days before the first class. We’ll send you a secure online invoice for payment.

Cancellations made more than 14 days in advance are refunded, less a $200 booking fee. Cancellations made within 14 days forfeit the deposit. Cancellations made within 7 days are nonrefundable.

Workshops may be rescheduled once with 14+ days notice, subject to availability.

Yes. We can provide standard vendor documentation, including a W-9 and proof of general liability insurance. Your community can be named as an additional insured when required, and we’re happy to review and sign reasonable NDAs.

We can work with your community’s onboarding requirements when needed.